Holly M. Kothe
The Espresso Editor
The Espresso Editor
Editing
I work with any genre. I have experience with novels, short fiction, non-fiction, scripts, academic writing, articles, and plays. Here is a breakdown of the different levels of editing. I can perform a single service or a combination.
Proofread: The lightest form of editing, typically completed on the proof of the finished product. I read the manuscript and note errors in grammar, punctuation, spelling, and word usage. This is the final stage of editing to ensure the manuscript is as polished as possible before publication or submission to an agency.
Basic Copy Edit: I thoroughly scour your manuscript for errors in grammar, spelling, punctuation, and syntax. I will attend to issues like subject/verb agreement and word usage (that vs. which / horde vs. hoard), clarity, flow, and style consistency (e.g., comma usage throughout). Awkward wording will be noted, and I will also flag style choices that authors may not be aware of, but are important in making your manuscript consistent with publishing standards (titles in italics vs. quotes, capitalization of titles and brand names, numerals vs. spelling out numbers, headings, Latin abbreviations, quotations, dialogue format, etc.). Minimum rewriting is suggested.
Line Edit / Heavy Copy Edit: Encompasses the same tasks as copy editing, but also consists of rewriting/recasting lines that need help. The focus will be on technical grammar and punctuation, as well as a more in-depth edit noting wordiness, repetition, awkward phrasing, convoluted sentence structure, ambiguous descriptions, and overuse of passive voice. Inconsistent plot details or facts will be flagged; are character names spelled correctly throughout? Is your secondary character blond in one chapter, but brunet in another? Line editing deals more with clarity, flow, and style, along with basic copy editing. The two are closely related.
Developmental or Substantive Edit: This is the most in-depth form of editing, and looks at the “big picture”–the overall content, structure, and style of your manuscript. I provide not only a critique of content issues, but guidance and suggestions of how to go about improving the manuscript. This type of assessment deals specifically with the art of storytelling.
Rather than focusing on the technical aspects of the written language, I offer creative suggestions to improve upon the story in any and all areas such as plot, character development, dialogue, description, exposition, point of view, timeline, style, and narrative voice. With this type of edit, I edit in-line and provide numerous margin comments for each chapter, as well as an overall report. How can the voice of a character be made to sound more authentic? How could a scene be made funnier, or more dramatic? How can the author develop a story in the most appealing way and create the biggest impact on the reader? Substantive editing addresses all of these things. A good editor takes into account the genre and style of each unique work, and avoids imposing her own voice on the story.
The Order of Editing
Typically, a developmental edit would be
performed in one pass, with rewrites then made by the author, followed
by a copy edit, and a final proof read.
Writing
I am an experienced writer of both fiction
and non-fiction. My writing services include, but are not limited to,
articles, blog posts, fiction, ghostwriting, author bios,
advertisements, social media promotions, reviews, story blurbs, and
synopses.
Writing Samples
A Little Literary (a Lotta Coffee)
– My writer’s blog includes writing guidance and reviews, as well as
links to publications I have contributed to including Writer’s Digest,
Blood Lotus Journal, Blue Cygnus International Magazine, Dark Gothic
Resurrected, Writer’s Beat Quarterly, Trembles Magazine, Lost City
Review, and The Write Room Literary Journal.
A Positive Outlook – Print newspaper article
Sweet Violent Femmes - Available on Amazon and in bookstores
Randy R. Fabert’s Psycho Killer - Film synopsis
Sex and Horror–The Classic Pair - Erzabet’s Enchantments Book Blog





Use adhesive tape to hold the tube in position while the glue dries.
Tape up the bottom of the tube – this needs to seal the tube so the
strongest tape is best or you could use additional cardboard cut to
shape.
Place the tube in a plastic container and support.
As the wax hardens it will shrink so reheat the wax left in the container and pour to the top.
I also use film cartridges (if you can find them) I still use
cardboard so I can use the transfer method of the markings and writing.





Encaustic painting involves using heated beeswax, paraffin, soy, and
other plant waxes to which coloured pigments are added. The
liquid/paste is applied to a surface, usually wood or canvas, but other
materials can be used.
Use a temperature controllable hot plate. Crumble a cheap plain
candle into a stainless or metal shot size pot or muffin tins and add
powder pigment with a teaspoon.
Sponge, pallet knife, an old thin paint brush, and for detailed work a bristle-less thin paint brush with a metal end.
Apart from the obvious, breathing in the fumes, heat from the wax,
and the hot plate, the other thing is to not over heat the wax and don’t
dip a pallet knife, brush or anything into a colour that is loaded with
a different colour.
A rich sauce to accompany barbecue meat dishes
A spicy sauce for barbecue meats
Sweet and sour sauce to accompany barbecued meats
Sardinas a la barbacoa
INGREDIENTS:
