Friday, August 14, 2015
Spoils of the Moon - Amazon Five Star Review
Spoils of the Moon is a delightful new book by Mark Shearman. Well-written in straightforward prose, the book focuses on Jordi and Greg, two Londoners who embark on a journey to find the truth about their past, unearthing information that suggests their absent father was part of a gang in the early seventies who stole some moon rocks from South Australia museum and also they may have family living in the outback who could fill in the blanks.
On the journey they are tracked down and captured by an American who has a personal connection to the stolen moon rocks and is also looking for their whereabouts. The journey delves into the complicated relationship that is causing much friction between Jordi and Greg and eventually acts as therapy as they had issues with their recently deceased mother. The road trip starts in Vietnam and then the outback fraught with obstacles and funny situations and some crazy off-the-wall characters.
This heartfelt story is full of hope that even after decades of secrets, and dysfunction, estranged families can come together and work through their problems. There are so many things to like about this book. The characters come to life and tell a poignant story in a humorous, but not overly sentimental way. Great dialogue drives much of the storytelling and the story moves at a fast pace.
http://www.amazon.com/Spoils-Moon-Mark-Shearman-ebook/dp/B012J07TVG/ref=sr_1_1?ie=UTF8&qid=1439563536&sr=8-1&keywords=spoils+of+the+moon
Sunday, August 9, 2015
Women being men - this has been a long time coming....
The first time I witness the competing
for the masculine role was working in an office in London.
When I worked as a Steeplejack in
Nottingham swearing was part of the way we communicated.
We had our own argot, specialised
idiom, not so much a secrete language certain words meaning a
particular thing and a little more sophisticated than just another
word for breasts.
Whenever a female, no matter what age
or who she was, entered the room we would instinctively stop swearing
and sexual innuendo was off the table. The same as if we were at home
with our mothers or wives.
Years later I left the industry for the
world of construction, specifically construction management working
my way up from site manager to construction manager and various
supervisory roles in between, finding myself often working with
females in an office. The first week I felt strange and uncomfortable
in a coed situation not because I had to watch my Ps and Qs and the
random release of gas or the fact that a woman, who wouldn't look out
of place on the front page of some glossy magazine, was talking to me
about concrete slump factors. It was the level of sexual innuendo,
objectification, buttock slapping, crotch scratching and foul
language all coming from the females it was a shock and they didn't
ask about your personal status if they fancied you they went after
you full on. What was you going to do file a sexual harassment case?
You was barely holding on to you masculinity as you watched the death
of our inner-caveman.
Working with other blokes in an office
one may comment you are getting a bit fat - lard ass, whilst he
scratched his own gut hanging over his belt content in his
self-denial, but when a women comments you would be really shagable
if you lost that gut ruins the after work pint you usually have with
the lads, especially when the said man-jawed female is stood there in
the group probing you, soon you start saying I'll have a diet coke is
ice fattening?
You find yourself walking past females
in the office sucking in your gut behind the new suit you couldn't
afford conscious of every female in the office, judging you
objectifying and thinking shame on you for letting yourself go only a
six pack will do and let's not get onto the subject of the male organ
if he isn't packing some girth why bother.
Regardless, if you can breathe through
your ears and go fifty shades on her. Sex is like a cage fight where
she is making the rules, which are written in invisible ink ready to
be rewritten because females reserve the right to change their mind.
How unfair is it that women have the audacity to demanding a real
man when they themselves have fake tits, fake lashes, fake lips, fake
hair, and fake nails.
Friday, July 31, 2015
Best things in life are free
Often I will cook things for myself and enough for my daughter, which I would put on a covered plate for later, sometimes she would come home at the same time, hot, bothered, and starving. She would chow down, clean her plate, and leave the table without a word. My missus waits for her to come home asks her what she wants and gets grief - I don’t know - she screams. The missus ends up faffing about and now the sprogs got an attitude - this way doesn't work turning the home into a café complete with menu choices. When I was a youth you ate what your father was having or what you was given and sometimes 'ifits' - if it's there you will eat it.
I hardly speak to the teenager until she engages me first and I never try to talk to her in the mornings. If I really need something from her or to convey important information, I email her or text. I don’t know what it is with teenagers. I can't remember being that moody and none communicative and then, now and again, she would be normal - she actually spoke to me the other day, but instead of grabbing the opportunity I wasted it with an uningratiating response.
Songs and films have a way of making us feel older, even more so when your daughter hears you singing a song and stares at you flabbergasted, "how do you know the words to that song? It only came out at the weekend."
I shrugged my shoulders as if to say - I'm hip get used to it. Avoiding explaining that was a song from the eighties and again in the nineties. My home town here on the Costa Blanca - La Nucia - will play host to a unique concert on the 18th of September at 21.30 pm in the Municipal Pavilion Camilo Cano. A blast from the past - featuring The Waterboys and The Animals - a concert I will definitely be attending.
They say you're as old as you feel and I'm not going there with the old joke about younger partners - too late. As I sip my café con leche on a honeysuckle and pine-scented terrace, it strikes me how tranquil this place is. The panoramic view a sun-splashed jumble of pine trees and red pan-tiled villas racking back down towards the Mediterranean Sea, where there are languorous stretches of white sandy coastline.
Yet, my self-talk is full of moans about my age and the sweltering heat; looking at the road, three sexagenarians jog past and up the hill with bulking back packs. Why do older people's feet always look massive in white training shoes? - anyway - shame on me for not getting out there and enjoying the many things the Costa Blanca has to offer, the best of which are totally free.
The village alone is a beautiful place to explore on foot, especially around the old town with its whitewashed houses, saintly wall shrines and balconies hung with geraniums, and unfortunately, the odd pair of Y fronts. There is always an undercurrent of weird or at least strange to be found.
The last time I went walkabout in the village, I came across a street where a large group of people had blocked the road off at each end to stop traffic. They had set out tables with tablecloths, wheeled out a couple of barbeques and a double fridge stacked with wine and beer. The central table was decorated with flowers, which had a huge five tiered cake perched precariously on it and there were hundreds of fireworks exploding on the floor shrouding the tableau in smoke. One fella, who had whipped off his jacket and shirt, stood there on the pavement in a white vest burning the hairs off a dead pig with a blow torch - ready for the spit. This was a wedding reception - why bother hiring a pretentious hotel banqueting suit when you can block off your own street with a couple of wheelie-bins and police-don’t-cross tape you've purloined from your new brother-in-law the cop.
Friday, July 24, 2015
Streaking For Mother Promotion Weekend
Streaking For Mother 0.99 this weekend find out what every one is raving about US http://www.amazon.com/gp/product/B00J15G6IK?*Version*=1 …... UK http://www.amazon.co.uk/gp/product/B00J15G6IK?*Version*=1 …...
Wednesday, June 24, 2015
Friday, June 5, 2015
Spoils of the Moon
Spoils
of the Moon
Synopsis
1967,
St Ann's Nottingham, a typical late Victorian, working class,
neighbourhood in acute decline, alarming poverty, a slum. Three
hundred of Nottingham's dirtiest acres.
This
is the time and place Brendan and Pauline's son was born, emigration
the only option. They were called Ten pound pommes.
The
journey on the ship, SS Canberra, was as frightening and exhilarating
as the first year shacked up in the Nissan hut at the hostel,
Adelaide, Southern Australia.
Years
before, Brendan's parents and sister, Beanie, had moved there after
buying a farm in the outback.
Brendan
and Pauline settled into a new home in the satellite town of
Elizabeth. Brendan only had one question on signing at the labour
exchange: does the section about National Service apply to him? -- he
was soon to find out.
Pauline
suffered bouts of homesickness, fuelled by Brendan's prolonged
absences of long working hours. A new mother, she soon became
depressed. It wasn't long before Brendan was called up for National
Service.
The year is 1969, a
global celebration of the moon landings. President Nixon, in
commemoration bestowed a hundred and thirty-five gifts of lunar rocks
to friendly foreign
governments. In 1970, Adelaide museum was
proud to display a plaque containing two lunar rocks.
Nobody
thought they would be worth stealing, until Brendan, Beanie's
boyfriend, Troy, and his mate, Brian, on finishing basic training
did just that, with the military precision they had recently learned.
Brendan
hides the rocks and is forced to ask his sister, Beanie, to collect
them. They end up in the police cells after a drunken brawl, hours
after the hoist. The judge orders no custodial sentences because he
was told, unbeknown to these men, that effective immediately they
will be impressed
into overseas
service.
Brendan
is killed saving some villagers in Vietnam. Troy and Brian disappear
- things happen when you steal lunar rocks from the government and
embarrass them. The Americans want them back.
The
news of her husband's death sends Pauline into a mental institute,
leaving Beanie with her son. Beanie recently gave birth also to a
son. She takes both of the boys back to the UK.
This
is the story of those two boys, Jordi and Greg - now men.
The
family business model, started by their mum, Beanie, was to buy
handmade crafts from Asia, repair what gets damaged in shipping, and
then sell them from their market stall in Camden, London.
Beanie
died, leaving them clues to the past and circumstances that cause
both men to go to Asia to buy more products for their business before
the programmed road works cut their access off and potentially ruins
their product-hungry business.
It's
not long before one of them is hanging upside down naked in a small
Vietnamese village near the Cambodian border, tortured by a man with
an American accent. He wants the lunar rocks.
The
American, who has been on their trail since London, chose the wrong
village and was chased off in a hale of bullets. Ordered by an old
villager, one of the men Brendan saved in the war. A translator shows
them a picture of two baby boys. She also hands over Brendan's
identification documents with the same surname as them and various
other personal belongings, along with the story of how he saved some
of the villagers.
The
clock is ticking now and they are on a collision course with others,
tracking down their true family roots and the whereabouts of the
lunar rocks - now valued in millions.
In
Australia, they encounter Brian and Troy, and are helped by Brian's
daughter who is tough, beautiful, and vulnerable to Jordi's charms.
But who is whose son? Only Pauline has the answer back at the family
farm in the outback -- their final destination. They are not the only
ones who turned up looking for answers. The end gives us some
shocking surprises and personal growth.
Thursday, May 14, 2015
Book Illustration
I have just completed the illustration work for an award winning author Kathleen Boucher and have started the next in the series - the books about empowering tweens, teens, and young adults with positive advice. I read each chapter and then came up with a concept to reflect the core theme. These are modern digital illustrations using a tablet after first sketching and scanning.
Tuesday, April 14, 2015
Wednesday, April 1, 2015
Editing - Proofreading - Writing Services
Editing - Proofread - Basic Copy Edit - Line Edit / Heavy Copy Edit - Developmental or Substantive Edit - Writing Services
I work with any genre. I have experience with novels, short fiction, non-fiction, scripts, academic writing, articles, and plays. Here is a breakdown of the different levels of editing. I can perform a single service or a combination.
Proofread: The lightest form of editing, typically completed on the proof of the finished product. I read the manuscript and note errors in grammar, punctuation, spelling, and word usage. This is the final stage of editing to ensure the manuscript is as polished as possible before publication or submission to an agency.
Basic Copy Edit: I thoroughly scour your manuscript for errors in grammar, spelling, punctuation, and syntax. I will attend to issues like subject/verb agreement and word usage (that vs. which / horde vs. hoard), clarity, flow, and style consistency (e.g., comma usage throughout). Awkward wording will be noted, and I will also flag style choices that authors may not be aware of, but are important in making your manuscript consistent with publishing standards (titles in italics vs. quotes, capitalization of titles and brand names, numerals vs. spelling out numbers, headings, Latin abbreviations, quotations, dialogue format, etc.). Minimum rewriting is suggested.
Line Edit / Heavy Copy Edit: Encompasses the same tasks as copy editing, but also consists of rewriting/recasting lines that need help. The focus will be on technical grammar and punctuation, as well as a more in-depth edit noting wordiness, repetition, awkward phrasing, convoluted sentence structure, ambiguous descriptions, and overuse of passive voice. Inconsistent plot details or facts will be flagged; are character names spelled correctly throughout? Is your secondary character blond in one chapter, but brunet in another? Line editing deals more with clarity, flow, and style, along with basic copy editing. The two are closely related.
Developmental or Substantive Edit: This is the most in-depth form of editing, and looks at the “big picture”–the overall content, structure, and style of your manuscript. I provide not only a critique of content issues, but guidance and suggestions of how to go about improving the manuscript. This type of assessment deals specifically with the art of storytelling.
Rather than focusing on the technical aspects of the written language, I offer creative suggestions to improve upon the story in any and all areas such as plot, character development, dialogue, description, exposition, point of view, timeline, style, and narrative voice. With this type of edit, I edit in-line and provide numerous margin comments for each chapter, as well as an overall report. How can the voice of a character be made to sound more authentic? How could a scene be made funnier, or more dramatic? How can the author develop a story in the most appealing way and create the biggest impact on the reader? Substantive editing addresses all of these things. A good editor takes into account the genre and style of each unique work, and avoids imposing her own voice on the story.
Writing
Holly M. Kothe
The Espresso Editor
The Espresso Editor
Editing
I work with any genre. I have experience with novels, short fiction, non-fiction, scripts, academic writing, articles, and plays. Here is a breakdown of the different levels of editing. I can perform a single service or a combination.
Proofread: The lightest form of editing, typically completed on the proof of the finished product. I read the manuscript and note errors in grammar, punctuation, spelling, and word usage. This is the final stage of editing to ensure the manuscript is as polished as possible before publication or submission to an agency.
Basic Copy Edit: I thoroughly scour your manuscript for errors in grammar, spelling, punctuation, and syntax. I will attend to issues like subject/verb agreement and word usage (that vs. which / horde vs. hoard), clarity, flow, and style consistency (e.g., comma usage throughout). Awkward wording will be noted, and I will also flag style choices that authors may not be aware of, but are important in making your manuscript consistent with publishing standards (titles in italics vs. quotes, capitalization of titles and brand names, numerals vs. spelling out numbers, headings, Latin abbreviations, quotations, dialogue format, etc.). Minimum rewriting is suggested.
Line Edit / Heavy Copy Edit: Encompasses the same tasks as copy editing, but also consists of rewriting/recasting lines that need help. The focus will be on technical grammar and punctuation, as well as a more in-depth edit noting wordiness, repetition, awkward phrasing, convoluted sentence structure, ambiguous descriptions, and overuse of passive voice. Inconsistent plot details or facts will be flagged; are character names spelled correctly throughout? Is your secondary character blond in one chapter, but brunet in another? Line editing deals more with clarity, flow, and style, along with basic copy editing. The two are closely related.
Developmental or Substantive Edit: This is the most in-depth form of editing, and looks at the “big picture”–the overall content, structure, and style of your manuscript. I provide not only a critique of content issues, but guidance and suggestions of how to go about improving the manuscript. This type of assessment deals specifically with the art of storytelling.
Rather than focusing on the technical aspects of the written language, I offer creative suggestions to improve upon the story in any and all areas such as plot, character development, dialogue, description, exposition, point of view, timeline, style, and narrative voice. With this type of edit, I edit in-line and provide numerous margin comments for each chapter, as well as an overall report. How can the voice of a character be made to sound more authentic? How could a scene be made funnier, or more dramatic? How can the author develop a story in the most appealing way and create the biggest impact on the reader? Substantive editing addresses all of these things. A good editor takes into account the genre and style of each unique work, and avoids imposing her own voice on the story.
The Order of Editing
Typically, a developmental edit would be
performed in one pass, with rewrites then made by the author, followed
by a copy edit, and a final proof read.
Writing
I am an experienced writer of both fiction
and non-fiction. My writing services include, but are not limited to,
articles, blog posts, fiction, ghostwriting, author bios,
advertisements, social media promotions, reviews, story blurbs, and
synopses.
Writing Samples
A Little Literary (a Lotta Coffee)
– My writer’s blog includes writing guidance and reviews, as well as
links to publications I have contributed to including Writer’s Digest,
Blood Lotus Journal, Blue Cygnus International Magazine, Dark Gothic
Resurrected, Writer’s Beat Quarterly, Trembles Magazine, Lost City
Review, and The Write Room Literary Journal.
A Positive Outlook – Print newspaper article
Sweet Violent Femmes - Available on Amazon and in bookstores
Randy R. Fabert’s Psycho Killer - Film synopsis
Sex and Horror–The Classic Pair - Erzabet’s Enchantments Book Blog
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